摘要
当代中国文化转型的一个突出标志是大众文化的崛起,20世纪80年代以来,中国电视剧伴随着大众文化的兴起与发展走向兴盛繁荣。电视剧面向大众,走向世俗,但其世俗娱乐功能与其文化普世意义同等重要,更何况在我们这样一个数千年来"风""雅""颂"传统并重的国度。倡导主旋律,追求雅俗整合的现实主义宏大叙事成为中国电视剧创作与欣赏的双向需求,并由此成为贯穿中国电视剧发展历程的一条清晰的创作主线。
One of the outstanding symbols of contemporary Chinese cultural transformation is the rise of popular culture. Since the 1980s, Chinese TV plays have prospered with the rise and development of the mass culture. Since TV drama is oriented to the public, its secular entertainment function and cultural universal significance are equally important. Moreover, in China where the tradition of ＂feng＂, ＂ya＂ and ＂song＂ has lasted for thousands of years, it has been a bidirectional requirement for the creation and appreciation of Chinese TV drama to adovocate the main rhythm of the times, pursue the integration of elegance and popularity in the grand narrative of realism, which thereby becomes a clear creation main line running through the whole development of Chinese drama.
出处
《杭州师范大学学报（社会科学版）》
CSSCI
北大核心
2012年第3期59-63,共5页
Journal of Hangzhou Normal University(Humanities and Social Sciences)
关键词
电视剧
主旋律
审美品格
文化研究
TV play
main rhythm
aesthetic character
cultural studies
