摘要
对新时期马克思主义文艺理论研究的反思,是马克思主义文艺理论中国化研究的重要组成部分。审美意识形态论、文学"人学论"、艺术生产论等理论形态的形成与论争,体现出审美特性的凸显和人文精神的复归两大特征。这些特征为当下马克思主义文艺理论中国化研究提供了强有力的理论参照;所留存的理论缺口和对时代吁求的体认偏差,成为进一步研究的起点。
The reflection on Marxist literary theory in the new period is an important part of the research on the sinicism of Marxist literary theory. The formation and debates about theory of aesthetic ideology, literature of "humanistic study", and the theory of art production reflect two major characteristics, that is, the highlights of the aesthetic property and the reversion to the humanistic spirit. These features provide a strong theoretical reference for sinicism of Marxist literary theory for the present; the remained theoretical gap and the cognitive bias of the appeal of the age become a new beginning for further research .
出处
《齐鲁学刊》
CSSCI
北大核心
2012年第3期156-160,共5页
Qilu Journal
基金
国家社会科学基金重点项目:"马克思主义文艺理论中国化研究"(10AZW001)
关键词
审美意识形态
人学
艺术生产
马克思主义文艺理论中国化
aesthetic ideology
humanistic study
production of art
sinicism of Marxist literary theory