摘要
莫言小说中有很多值得探讨的艺术问题,其中对"丑"的直白描述就极有争议。一方面是"文革"过后,在新的历史语境下的突围与反叛;另一方面也是西方现代派文学思潮影响的结果,更是莫言在进行新的艺术探索。美丑融合是一种审美境界,更是莫言的审美观,它打破了美丑分离的局面,在美学史上具有标志性的意义。
In Mo Yan＇s novels there are a lot of art,the ＂ugly＂ straightforward description is extremely controversial.On the one hand,it is the breaking out of an encirclement and rebellion in the new historical context after the ＂Cultural Revolution＂,on the other hand,it is also the results influenced by the western modernist literature ideological trend,what＇s more,it is Mo Yan＇s new artistic exploration.The fusion of beauty and ugliness is a kind of aesthetic realm,it is Mo Yan＇s aesthetics,it broke the beauty of separation of the situation,which has a symbolic meaning in the history of aesthetics.
出处
《贵阳学院学报（社会科学版）》
2012年第2期80-83,共4页
Journal of Guiyang University:Social Sciences
关键词
莫言小说
审美观
美丑融合
意义
Mo Yan＇s novels
aesthetic view
the fusion of beauty and ugliness
significance
