论郭沫若抗战史剧创作的情感体验性原则

The Principle of Emotional Experience in Guo Moruo's Historical Drama Writing

基于文艺的情感本质认识,郭沫若在抗战史剧的题材处理中,特别强调了情感的意义,从而形成了一种历史题材处理的原则,即情感体验性原则。遵循这一原则,在他的抗战史剧题材处理中,普通生活情感体验、"革命受难"压抑性情感体验、文化战斗激情等情感因素对史剧题材处理有着重要意义,对他史剧的浪漫主义风格形成也起到了根本作用。对于这一原则,郭沫若在他的史剧创作理论中将之总结为"兴"的史剧创作方法。

Based on the view that ＂the essence of the art is emotions＂, Guo put a special emphasis on the significance of emotions in the theme processing of his historical dramas created during the Anti--Japanese war. Thus a principle was formed in his historical themes, that is, the principle of emotional experience. In accordance with this principle, the emotional experience in ordinary life, emotions repressed in revolution and cultural passion played an important role in his writing. This also contributed to the formation of his romantic style. Guo summed up this principle as ＂Xing＂ in his theory of historical drama writing.