摘要
穿越题材电视剧的流行与观众的接受心理有着千丝万缕的联系,剧中现代失意古代得志的人物设置,满足了观众潜意识中自我实现的愿望;作品借历史故事对现代人情感诉求的表达,容易引发观众的情感共鸣与情感认同;其具有后现代色彩的古代情境与现代语汇及思想的碰撞,则给观众带来某种轻松愉悦的享受;其形形色色的穿越方式和穿越过程,则大大激发和满足了观众的猎奇心理;而其打破时空束缚的剧情设置,则在某种程度上满足了人类内心不再受限于时空规定性的潜在欲望与需求。这些使得穿越剧有其存在的合理性和必然性。但同时我们也应该看到,穿越剧的模式化和媚俗化倾向也十分明显,极易引起观众的审美疲劳。
The fashion of traversing teleplay is strongly related with the receiving psychology of audiences.In those traversing teleplays,the setting of characters who are frustrated in modern times but successful in ancient society satisfies the audiences' requirement of self-fulfillment.The appealing expressions of modern people with ancient stories can easily give rise to self-identity and resonance of audiences.The collision of modern sentences and ideas with ancient scene provides easy and happy enjoyment for audiences.The various modes and processes of traversing inspire and satisfy the audiences' psychology of seeking novelty.The story settings without constraints of time and space satisfy the latent desire and demand of humans.Although these characters make traversing teleplay reasonable and rational,we have to realize that the trends of modular and flattering traversing will easily result in aesthetic fatigue of audiences.
出处
《重庆邮电大学学报(社会科学版)》
2012年第3期82-85,共4页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
关键词
穿越剧
接受心理
愿望
共鸣
愉悦
traversing teleplay
receiving psychology
desirability
resonance
joviality