新理学美学本体论探析

ANALYSIS ON FENG YOU-LAN'S NEO-CONFUCIANISM AESTHETIC ONTOLOGY

冯友兰新理学美学对美的认识有一个逐步深化并且不断接近审美实际的转变过程。冯友兰早期的"美之理"说并不符合审美活动的实际,他对美的这种本体言说是无力的,及至意识到这种本体言说的机械性和不恰切性转而关注人的审美活动的实际,重视审美对象的独特之处,强调"美是使人有某种感觉底形象"时才真正突显出新理学美学本体论的价值所在。"美是使人有某种感觉底形象"可看作是冯友兰立足于审美活动实际,最终得出的美学本体论见解。

In Feng You-lan＇ s Neo-Confucianism, there is a transformation of aesthetic ideas which is also a gradual process of under- standing, approaching the practice. The earlier argument of Feng You-lan＇ s aesthetic reason was not in conformity with the actual aes- thetic activities. It was so weak that he came to realize its mechanical natures. Therefore, he turned his attention to the actual nature of people＇s aesthetic activities, emphasizing that ＂Beauty is an image to make people produce some feelings＂. And then, it really high- lighted the value of his theory. ＂Beauty is an image to make people produce some feelings＂ can be seen as a theory derived by Feng Yu-lan based on the aesthetic fact.