摘要
中国画笔墨一方面在自身单纯的形式语言中尽力追求笔迹墨彩的肌理变化 ,另一方面又努力在自然肌理中创造新的笔墨形式 ,这种既注重自身审美因素 ,又不忘在生活中吸收营养的双重性特征 ,使得中国画笔墨不断在笔墨肌理和自然肌理中发展、充实、完善。
While traditional chinese painting pursues the texture variation of writing brushes and ink,it also produces the new form in the natural texture.The double characteristics of emphasizing on its own aesthetics and of deriving nourishment from daily life make the traditional chinese painting develop,strengthen and improve.
出处
《苏州丝绸工学院学报》
2000年第2期52-54,共3页
Journal of Suzhou Institute of Silk Textile Technology
关键词
中国画
笔墨
肌理
形式语言
绘画艺术
traditional chinese painting
writing brushes and ink
texture
