《乐学轨范》的黄钟音高小考

Research on Pitch of Huangzhong in Akhakgwebeom

黄钟的音高问题,历来是中韩学者迫切需要解决但却难于解决的一个问题。韩国的黄钟音高更是如此。在韩国,黄钟的音高一共有两种,一种是雅乐和唐乐的黄钟音高,另一种是乡乐的黄钟音高。本文对这两个黄钟音高作了一个初步的考察,试图澄清两种黄钟音高之间的关系。

The pitch of huangzhong has been a pressing yet difficult issue for both Chinese and Korean scholars. In Korea, there are two kinds of huangzhong pitches. One is the pitch of ritual music and royal music originated from the Tang and Song Dynasties in China, and the other is that of Korean local music. The paper investigates into these two kinds and intends to clarify the relationship between the two.