出土河南淅川1号墓编钮钟乐律学探究

Investigation into Music Temperament of Chimes in No.1 Tomb Unearthed from Xichuan Henan

通过对淅川下寺1号墓编钮钟的音程结构、音程之律制归属及宫调归属三方面的分析判断,初步得出如下结论:该套编钟双音音程结构是以大、小三度为主,并兼有大二度,此当为春秋中期双音编钮钟的一种较为典型的音程结构;编钟之三度音程更接近纯律,这在很大程度上说明春秋中期调钟的理性追求:用纯律大、小三度设计的双音钟,其声舒扬耐听,和谐而丰满;编钟的宫调归属最有可能是D宫"清乐"七声音阶。

The paper studies the interval structure, attribution of tuning system and musical modes of the chimes in No. 1 tomb unearthed from Xichuan, and concludes as follows： major and minor third take the priority in the structure of two - tone intervals combining with major second, which is a relatively typical structure in the middle of the Spring and Autumn Period; the third interval is more close to pure scale, and this illustrates the pursuit of reason in the time.