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解构与戏仿、颠覆与再生——罗伯特·库弗的短篇小说《刺玫瑰》解读 被引量:1

Deconstruction and Parody,Subversion and Rebirth:An Interpretation of Robert Coover's Metafiction Briar Rose
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摘要 美国当代小说家罗伯特·库弗在小说《刺玫瑰》中,通过塑造"反英雄"形象,采用悖论式语言,塑造碎片式文本,戏仿传统文学形式,从而颠覆和解构传统童话故事《睡美人》,创造一部独具特色的后工业社会的童话。 The contemporary American novelist Robert Coover employs the tactics popular among postmodernist novelists,such as parody and irony,to deconstruct traditional schools of literature and to criticize traditional narrative methods.In his novel Briar Rose,Coover presents an "anti-hero" image and uses a paradoxical language to build a fragmental text and to parody the traditional form of literature,thereby subverting and deconstructing traditional fairy tale "Sleeping Beauty" and creating a postmodernist-society fairy tale with unique meta-fiction characteristics.
作者 张淑芬
出处 《国外文学》 CSSCI 北大核心 2012年第2期132-137,共6页 Foreign Literatures
关键词 罗伯特·库弗 反英雄 戏仿 解构 颠覆 Robert Coover metafiction parody deconstruction anti-hero
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参考文献10

  • 1Larry McCaffery, The Metafictional Muse: The Works of Robert Coover, Donald Barthelem and William H. Gass. (Pittsburgh: University of Pittsburgh Press, 1982), p. 16, p. 25.
  • 2Roger Matuz ed. , Contemporary Literature Criticism, Vol. 87 (Detroit: Gale Research Company, 1990), p. 23.
  • 3Brian Evenson, Understanding Robert Coover ( South Carolina: University of South Carolina Press, 2003 ), p. 231.
  • 4Thomas E. Kennedy, Robert Coover: A Study of the short fiction. (New York: Twayne Publishers, 1992), p. 9.
  • 5杨仁敬.《美国后现代派小说论》,青岛出版社,2003,第38、192页.
  • 6Robert Coover, Briar Rose (New York: Grove Press, 1996 ), p. 1, p. 28, p. 66, p. 69, p. 10.
  • 7Brian McHale, Postmodernist Fiction ( New York : Methuen, Inc, 1987), p. 16, p. 100.
  • 8刘建华.当代美国小说改写文学经典略论[J].国外文学,2006(2):90-97. 被引量:9
  • 9程锡麟.“碎片是我信任的唯一形式”——谈唐纳德·巴塞尔姆的创作[J].外国文学,2001(3):12-16. 被引量:22
  • 10罗伯特·库弗,陈世丹.电影院的幽灵[J].外国文学,2000(6):6-15. 被引量:2

二级参考文献25

  • 1[1]转引自 Contemporary Literary Criticism, Vol. 23(Gale Research Company, 1983), p. 48.
  • 2[2]Gerald Graff, Literature Against Itself (The University of Chicago Press, 1979), p. 53.
  • 3Maxine Hong Kingston,The Woman Warrior:Memories of A Girl among Ghosts(New York:Vintage,1989),pp.180-181.
  • 4Maxine Hong Kingston,Tripmaster Monkey:His Fake Book(New York:Alfred A.Knopf,1989),p.249.
  • 5Deborah Woo,"Maxine Hong Kingston:The Ethnic Writer and the Burden of Dual Authenticity." Amernsia Journal 16.1(1990),p.187.
  • 6Christian Moraru,Rewriting:Postmodern Narratives and Cultural Critiques in the Age of Cloning (Albany:State University of New York Press,2001).
  • 7《漂浮的歌剧》(The Floating Opera)
  • 8《路的尽头》(The End of the Road)
  • 9《烟草代理商》(The Sot-Weed Factor).
  • 10John Barth,The Friday Book:Essays and other Nonfiction (NewYork:G.P.Putman's Sons),p.206,p.68,p.73,p.203.

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