摘要
在产生于后工业生产基础上的后现代文化背景下,"日常生活"进入了社会人文学科的视野,美学也在这一背景下把目光投向了"日常生活",提出"日常生活美学"。日常生活美学的核心思想是:日常生活的审美化,审美的日常生活化。但是,在中国美学界却产生了激烈的学术论争,反对者与支持者针锋相对。如果在审美生态视域中以生态活动整一性思想观照,我们发现日常生活的审美化彰显日常生活的理想维度,审美的日常生活化彰显美学的现实维度,在现实与理想的耦合中实现人的宜态的绿色生存。
Under the post-modernist cultural context that originates from the industrial base, "daily life" comes into the vision of the social and humanities sciences. Under this background aesthetics turn their sight on "daily life", and propose "aesthetics of everyday life" with the core idea of the aestheticization of everyday life , and daily livelihood of the aesthetics. However, aesthetic scholars in China had generated a fierce academic debate, opposing it or supporting it. If we compare the ecological activities with ideological contemplation in domain of aesthetic ecology, we may find that aestheticization of everyday life demon- strates the ideal dimension of everyday life, and the daily livelihood of aesthetic highlights the reality dimen- sion of aesthetics, so when reality is coupled with ideal we would achieve the appropriate and "green" living style.
出处
《广西师范学院学报(哲学社会科学版)》
2012年第2期43-47,共5页
Journal of Guangxi Teachers Education University:Philosophy and Social Sciences Edition
关键词
审美生态学
日常生活
日常生活美学
宜
绿色生存
Aesthetic Ecology
Everyday Life
Daily Life Aesthetics
Appropriateness
"Green" Liv- ing