摘要
当我们置身当下"后现代"语境中,重新回视西方美学历史时,尼采那幽灵般的思想横贯始终、震古烁今,他如同一枚定时炸弹,将西方传统美学思想炸成"碎片",使柏拉图开创的传统形而上学陷入了重重困境,并预示了传统形而上学向"后现代"的多元化和异质性转化的前景。这也为诸如福柯、德勒兹、利奥塔等声名显赫的后现代思想家所承认。具体而言,尼采美学思想的后现代主义维度主要体现在其对传统形而上学的批判以及对视角主义和系谱学的阐释上。
When standing in the context of post modernism context to review the history of western aesthetics,Nietzsche＇s thoughts are transversal,which are like bombs and bomb traditional aesthetics into pieces thatmake Plato＇s traditional metaphysics trapped and foretell its diversification and heterogeneity.All the thoughtsare admitted by Ford,Deleuze and Oza.Nietzsche＇s aesthetic postmodernism embodies the critical metaphysicsand interpretation of genealogy.
出处
《黑河学院学报》
2012年第2期20-23,共4页
Journal of Heihe University
基金
黑河学院院级课题<尼采美学思想的后现代延展>(RW200914)
