从心所欲不逾矩——译者主体性在张爱玲译作《海上花》中的体现

Following Heart to Act without Overstepping the Boundaries——Analysis of Eileen Chang's Translation Singsong Girls of Shanghai

张爱玲以她卓越的创作与翻译成就成为20世纪中国文坛上一道亮丽的风景,但国内对张爱玲的研究明显偏重于她的创作。本文拟以张爱玲译作《海上花》为个案,从译者主体性角度对这一文本进行解读,以期对其翻译观进行梳理,抛砖引玉,为张爱玲翻译研究尽微薄之力。

As one of the influential figures in the history of modern Chinese literature who took the role of both writer and translator,much attention of current researches toward Eileen Chang is put on her novels.Actually,a thorough research of Eileen Chang should not exclude her translation activities,which covers a wide range.Taking Eileen Chang＇s Translation of Singsong Girls of Shanghai as a case study,this paper aims at researching it from the perspective of translator＇s subjectivity so as to get a general view toward Chang＇s translating style and make a little contribution to Chang＇s translation studies.