摘要
司空图"象外之象、景外之景"中的第一个"象"、"景"是可以"置于眉睫之前"、"目击可图"的现实景象、图画景象,第二个"象"、"景"是处于前者之外的"诗家之景"。所以,"象外之象、景外之景"主要指诗歌意象所独具的超越于现实,也超越于绘画的想象的自由程度。大历以后的唐诗意象对盛唐诗歌意象的主要拓展即在于此,"象外之象、景外之景"主要是大历以来诗歌意象成就的总结。但其内涵之被误解由来已久,严羽《沧浪诗话》和苏轼有关论述的影响尤为显著。
The first word ＂xiang＂ and ＂jing＂ in Sikong Tug statement ＂xiang wai zhi xiang, jing wai zhi jing＂ is the real- istic scene and pictures which can be placed in the front of eyes while the second word ＂xiang＂ and ＂jing＂ is the ＂poets＂ scene＂ in the outside of the former. Therefore, the statement mainly refers to the unique poetic images beyond reality, and the freedom beyond the imagination in painting, which is the main expansion of the imagination of poems after Dali period as a summary of the achievements of poetic images. But its connotation has been misunderstood for a long time, particularly in Yan Yug Changlang shihua and Su Shig discussions.
出处
《南开学报（哲学社会科学版）》
CSSCI
北大核心
2012年第3期57-64,共8页
Nankai Journal:Philosophy,Literature and Social Science Edition
基金
教育部人文社科重点研究基地重大项目(2000ZDXM750.11-44003)
关键词
司空图
象外之象
想象
中唐诗歌
Sikong Tu
＂Xiang Wai Zhi Xiang＂
Imagination
The Poetry in the Middle Tang
