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试析“剧场政体”问题

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摘要 柏拉图所关注的"剧场政体",既是一个诗乐翻新的艺术问题,也是一个制度腐败的政治问题。从历史角度看,这一问题的双重性在深层意义上涉及雅典剧场文化的蜕变、民主政体的衰败与公民德行的堕落等因素。因为,这些因素不仅是滋生"剧场政体"乱象的客观条件,也是引发柏拉图忧患意识的主要根由。
作者 王柯平
出处 《外国文学评论》 CSSCI 北大核心 2012年第2期55-69,共15页 Foreign Literature Review
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  • 1Cf. R. G. Bury, "Introduction" to Plato, Laws, Cambridge & London: Harvard University Press, 1994, p. xiii.
  • 2Werner Jae- ger, Paideia: The Ideals of Greek Culture, trans. Gilbert Highet, Oxford: Oxford University Press, 1971, Vol. III, p. 252.
  • 3Cf. G. Bury, "Introduction" to Plato, Laws, p. xii-xiii.
  • 4See Plato, Laws, trans. R. G. Bury, Cambridge and London: Havard University Press, 1994, 700 -701.
  • 5See A. E. Haigh, The Attic Theatre, Oxford: The Clarendon Press, 1952, p. iii.
  • 6See A. E. Haigh, The Attic Theatre,p. 343.
  • 7See Paul Cartledge, " ' Deep plays' : theatre as process in Greek civic life", in P. E. Easterling, ed. , Greek Tragedy, Cambridge: Cambridge University Press, 1997, pp. 18 -19.
  • 8See Plato, Republic, trans. Paul Shorey, Cambridge and London : Havard University Press, 1994, 492 b - c.
  • 9See Simon Goldhill, "The audience of Athenian tragedy", in P. E. Easterling, ed. , Greek Tragedy, pp. 54 -55.
  • 10See Paul Cartledge, " ' Deep plays' : theatre as process in Greek civic life", in P. E. Easterling, ed. , Greek Tragedy,p. 17.

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