摘要
在上个世纪后现代文化语境下,莎士比亚在战后英国戏剧中的存在在很大程度上表现为"再写"文学的出现:一方面,透过"再写",莎士比亚作为"大写"作者的身份被消解,其"圣经"般的文本成为众多互文溪流中的一脉;但另一方面,"再写"也是一种"活者与亡者"之间的对话,是莎剧在20世纪语境中一种独特的诗学存在,是一种更高意义上的文本修正和衍生。
Shakespeare's existence in the post-war English drama predominately takes the form of rewriting.In later 20th century Post-Modernist cultural contexts,Shakespearean rewriting demonstrates the paradoxical features of deconstruction and critical acceptance: while it is a deconstructive process in which Shakespeare's exalted canonical status is decentred,rewriting also reveals itself as a constructive form of dialogue between the living and the dead,and a special poetic existence of Shakespearean presence in contemporary culture.
出处
《外国文学》
CSSCI
北大核心
2012年第3期60-67,158,共8页
Foreign Literature
基金
国家社科基金项目"战后英国戏剧中的莎士比亚"(10BWW025)
