在神圣与凡俗之间转换——以豫南皖西民间的仪式舞蹈展演模式为依据

Convert between Holiness and Profane——Based on the Ritual Dance Performance Mode among the Folk in Southern Henan and Anhui province

杠天神仪式是豫南皖西民间信仰的一种祭祀方式,舞蹈是该仪式的重要组成部分。文章以"担经挑"、"张公背张婆"和"麒麟舞"为例,重点探讨和分析了杠天神祭祀仪式舞蹈中神圣与凡俗的衍化、重合、同构等问题。豫南皖西庙会和仪式中的祭祀歌舞是具有自行性的艺术活体,它通过连续的显圣和多重力量的互动,在神圣与凡俗之间显现活力。

GangTianShen is a main kind of sacrifice among the iolk in Southern Henan and Western Anhui province. Ritual dance is an important component of it. This thesis takes “Danjingtiao”, “Zhang carrying Zhang Po” and“Kylin dance” as examples, exploring and analyzing mainly on the derivation, doublication and isostructuralism of Holiness and Profane in the ritual dance of GangTianShen. The author also points out that the sacrifice dance in the temple fair and ceremony is a kind of living art which can make sense all by itself. It reveals its vigour between holiness and profane through the continuous transfiguration and the interaction of multiple forces.