摘要
徐枋是著名的明遗民,也是清初的著名画家。他的遗民品质提醒我们关注并解读他的遗民生活对于绘画创作的影响。乙酉(1645)之后,徐枋从勿斋的贵公子沦为居无定所的人,而定居涧上草堂在他的绘画作品中有明显的呈现;徐枋自称"作画暮年益进"与他和著名遗民画家杨补、万寿祺、归庄、姜垓的交游有关;徐枋有吴地隐居的实景图数幅,展现他的遗民隐居生活;徐枋以画为寄的特点是遗民画家的典型表现。
Xu Fang is a famous Ming loyalist. In the Qing dynasty, he is also a famous painter. His Ming loyalist life reminds us to analyze his paintings from several perspectives. The changes on his residence, his circle of friends and his painting style changed much after the year 1645. Firstly, Xu Fang lived a poverty life; he was no longer rich and honorable, he became a person who did not have a settled residence. Then, after many moves, he settled down in the Jianshang, this place present obviously in his paintings. Secondly, ＂My paintings get better when I was old,＂ Xu Fang claimed. The improvement of his painting skills had significantly relationship with his circles of friends. Thirdly, Xu Fang has many paintings on the scenery of Wu-his hometown and where he lived his reclusive life.
出处
《洛阳师范学院学报》
2012年第6期113-118,共6页
Journal of Luoyang Normal University
基金
北京市哲学社会科学重点资助项目(SZ201110015008)
关键词
明遗民
画家
徐枋
绘画
交游
Ming loyalist
painter
Xu Fang
painting
circle of friends
