摘要
20世纪90年代以来的家庭伦理剧在叙事样态上呈现的特点是受众心理与时代文化的"共谋"。为满足观众补偿现实生活之不足的心理需求,在叙事主旨、叙事精神上表现出回归传统伦理道德、彰显底层与民粹的倾向;受观众认知现实的观看心理的影响,在视觉图谱和风格上呈现出现实主义的平民世界图景;为满足观众的娱乐心理,家族伦理剧在伦理形态上呈现出快乐伦理的指向。研究表明,90年代以来的家族伦理电视剧所呈现出的上述叙事样态与受众的补偿心理、认知心理以及娱乐心理互为生成。
The study of this paper concentrates on the relationship between the audience's needs and the family ethical teleplay's patterns.This paper argues that: The family ethical teleplay has showed regression of tradition and populist tendencies in the narrative themes and spirits,and it also has described the visual mapping and character of the civilian world by realism.The patterns of familial ethic teleplay interact with the audience's psychological compensation,cognitive psychology and the needs of entertainment.
出处
《重庆邮电大学学报(社会科学版)》
2012年第1期69-73,共5页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
基金
教育部人文社会科学青年基金资助项目:关于"家"的想象与叙述--新时期以来家庭伦理电视剧叙事文化研究(09XJC860006)
关键词
家庭伦理剧
叙事样态
叙事精神
快乐伦理
familial ethic teleplay
narrative patterns
narrative spirit
happy ethics