朝鲜历史上乐器的形成、变迁及与中国的音乐关系

On the Formation and Vicissitude of Korean Musical Instruments and the Relationship with Chinese Music

朝鲜,相邻于我国东北地区的邻邦,与中国的历史交往十分深远。在隋唐音乐志的七部伎、九部伎与十部伎中的高丽乐以及未被列入十部乐的百济、新罗乐的乐器中它们大部分与中国乐器名相同。它们在呈示出地方乐特色的同时,受到中国音乐怎样的影响?继而又怎样走向本土化的等问题在中国音乐学界没有得到深入的研究。本文将以朝鲜历史上所出现的乐器为切入点展开历史调查,探索,企图探明历史上朝鲜音乐与中国的关系及其变迁的脉络。

Korea, adjacent to Chinese Northeastern area, has a long contact history with Chin- a. Most musical instruments, which were used in Korean, Baiji and Xinluo music, share the same names with Chinese musical instruments according to the Music Re- cord of the Sui-Tang Dynasties. For a long time, the following problems haven＇t been given deep research in Chinese musicology field： How were these instruments influenced by Chinese music while they displayed their local features？ How did these instruments become localized？ According to the musical instruments existed in the Korean history, this paper makes historic investigation and exploration in or- der to find out the relationship between Korean and Chinese music as well as their development stages.