摘要
《源氏物语》中的自然景物描写,不是作为故事情节发展的陪衬,而是作为一个个独立的场面,与出场人物的命运密切相连。在此,所谓的自然就是人,人就是自然,人与自然处于同等地位。而在众多的自然景物描写中,有关"月光"的描写在量与质上都占极大的分量;不同情节不同风貌的月光描写,诠释着不同的意蕴。
The descriptions of the natural scenery in The Tale of Genji not only serves as a support to the development of plot, but also independently becomes a scene in it, and is closely related to the fate of the characters. Herewith, the socalled nature is the human, the human is nature, and the human and nature are in the same dimensions. Among many descriptions of natural scenery, the descriptions on moonlight share much weight in quantity and quality. Different plot and view on the descriptions of moonlight interpret different implication.
出处
《哈尔滨师范大学社会科学学报》
2011年第6期87-91,共5页
Journal of Social Science of Harbin Normal University
关键词
《源氏物语》
月光
自然描写
象征意义
The Tale of Genji
moonlight
the descriptions of nature
symbolism