摘要
在皮尔士指号体系中,对象关系有"象似""标指""象征"三类。我们可以用它们来观察艺术现象,并试图证明这三种指号在艺术现象中同时存在,互动共生、互为环境、互为结构,可称为"艺术三维"。如果我们把艺术三维和文化人类学结合起来,就能够兼顾艺术的形、气、神,就能兼顾物性、心印和语言,也就能更加深刻地思考和回答问题。
In Peirce＇s sign system, there are three object relations： icon, index, symbol. We can use them to observe the phenomenon of art, and try to prove these three signs coexist, are interactive and the environment structure for each other, can be called ＂artistic three dimensions＂. If we combine artistic three dimensions and cultural anthropology, we will be able to take into account the form, spirit and image of art and will be able to take into account the properties of the mind and language, will also be able to think and answer questions more deeply
出处
《内蒙古大学艺术学院学报》
2012年第1期5-10,共6页
Journal of Art College of Inner Mongolia University
基金
2010年度上海市浦江人才计划资助项目
关键词
艺术三维
象似
标指
象征
艺术现象
three - dimension art
icon
index
symbol
artistic phenomenon
