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曾国藩“天籁人籁凑泊而成”的诗学思想

On the Poetic Ideology of Zeng Guofan's "Integration of Sounds of Nature with Sounds of Man"
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摘要 曾国藩一生为我们留下诗歌三百多首,他提出"天籁人籁凑泊而成"的诗学思想,对前人关于"天籁"、"人籁"的意义作了拓展,不仅对清代"性灵派"诗歌创作有所继承和发展,还为我们诗歌创作总结了一条规律,这一诗学思想在中国诗论思想上具有重要的意义。 Zeng Guofan left us more than three hundred poems in his whole life. The poetic ideology "integra- tion of sounds of nature with sounds of man" he proposed made further development of the former meaning of " sounds of nature" and " sounds of man". This ideology not only inherited and developed the poetic creation of " spiritual school" in Qing dynasty, but also summarized a rule for our current poetic creation. It is of great signifi- cance in the poetic ideology in China.
作者 夏照芳
出处 《绵阳师范学院学报》 2012年第4期35-38,共4页 Journal of Mianyang Teachers' College
关键词 曾国藩 天籁 人籁 诗学思想 Zeng Guofan sounds of nature sounds of man poetic ideology
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参考文献8

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