摘要
宋钧瓷上出现的色釉斑块不是瓷釉烧成技术上的"意外",而是将宋人的审美图式移植到瓷釉装饰中的产物。在宋代美学思潮中,无论是挥洒釉彩的陶者还是游艺于墨的文人画家,他们心灵相互感应、息息相通,共同把握着时代的审美精神,创造出中国传统美学意义上的巅峰之作。
Song Jun porcelain glaze plaques appear on the glaze firing is technically not ＂accidents＂,but the Song of the aesthetic schema migration to the glaze decoration in the product.Aesthetic trends in the Song Dynasty,both sway glazed pottery or recreation of the literati painters in Mexico,their hearts mutual induction,forged,together grasp the aesthetic spirit of the times,to create a sense of traditional Chinese aesthetic peak.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2012年第6期82-84,共3页
China Ceramics
关键词
釉斑
钧釉
图式
glaze plaques
Jun glaze
Schemata
