摘要
明代的"男扮女装"剧与"女扮男装"剧相比,没有自觉的性别意识追求,且"男扮女装"剧中的男性性别倒置,无论是外表或内质都呈现出女性化的特征。而明代的好奇风尚及传统的表演形式——反串,对"男扮女装"剧的兴起起到了推波助澜的作用。
Compared with the opera of woman dressed as men, the Ming Dynasty opera ＂cross-dressing＂ has no conscious awareness of gender pursuit. The man dressed as a woman. What＇s more, Ming Dynasty＇s fashion and traditional performances played a role in ＂cross-dressing＂.
出处
《韶关学院学报》
2012年第5期60-63,共4页
Journal of Shaoguan University
关键词
男扮女装
性别意识
接受心理
反串传统
Cross-Dressing
Gender awareness
Receive psychological
the tradition of cross-dressing.
