想像的能指——好莱坞灾难电影的审美意识形态图绘

Imaginary Signifier——An Aesthetic Ideology Description of Disaster Movie

灾难电影是好莱坞类型电影的新宠,它以技术、叙事、生产与传播等优势,建构了挑战视听极限的审美体验,也更加隐藏起了意识形态的锋芒。从审美意识形态的视角,通过对观影主体在实在界、想象界、象征界中审美特点的分析,能够更加清楚地揭示灾难电影——作为"想象的能指"——以想象界为核心和中介的审美意识形态的复杂面貌和本质属性。

Disater movies is the new treasure in Hollywood movies. It constructs extremely aesthetic experience and hides ideology tendency depending on the superiority of technology, narration, produce and dissemination. In order to reveal the multiple face and essential property of disaster movies being imaginary signifier, this paper analysizes aesthetie feature of the real, the imaginary and the symbolic from aesthetic ideology aspect.