论新中国美术史写作中的史料运用和建设问题

On the Use and Construction of Historical Data in Composing the History of Fine Arts in New China

新中国美术史写作是近年来学界的热门话题。史料问题在中国古代美术史写作中已经得到了研究者的普遍重视,但在新中国美术史写作中却几乎没有得到重视。运用"知识考古学"的方法"发掘"油画《毛主席去安源》系列史料之间的文本差异和差异,为我们展示了史料在新中国美术史研究和写作的学术价值。新中国美术史料收集整理的范围、特点和困难是进行史料建设须重点明确的基本问题。

The writing of the New China＇ s fine arts history has become a hot topic of the academic circles in recent years. While historical data have been universally valued in the writing of the ancient China＇ s fine arts history, it is almost neglected in the writing of the New China＇ s fine arts history. The discovery of textual differences and dissimilarities among a series of historical data on the oil painting--Chairman Mao Zedong Heading for Anyuan--by using ＂the archaeology of knowledge＂ has demonstrated the academic value of historical data in the study and writing of the New China＇ s fine arts history. The range, features and difficulties in the collection and systematization of historical data on the history of New China＇ s fine arts are basic issues to be clarified in the construction of historical data.