摘要
侗族嗄老"以歌代文"的表达方式已超越音乐学意义,其成长与侗族社会历史发展密切相关。嗄老叙事对侗人先民有着清晰的表述,其音乐本体中羽调式的母系文化底蕴折射出古代侗人的审美情趣与日常生活,嗄老的音乐构成与侗人的基本社会组织形态相暗合。嘎老为理解文化样态与社会历史之间的内在关联有着重要意义。
Kgal Laox of Dongzu which expresses the way with song has been exceeded muscial significance. It grows up with the socical development of Dongzu. The ballad of Kgal Laox expresses the origin of Dongzu. The basement of matriarchal culture which exists cultural noumenon reflects aesthetic sentiment and daily living of ancient Dongzu. The inner structure of Kgal Laox is consistent with the elementary social organization of Dongzu. Kgal Laox has great significance in understanding the relation between cultural pattern and social history.
出处
《东北师大学报(哲学社会科学版)》
CSSCI
北大核心
2012年第3期81-85,共5页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
基金
吉林省社会科学基金项目(2009B062)
吉林省教育厅"十一五"社会科学研究2009年度基金项目
关键词
嘎老
古代
侗族
社会
Kgal
Ancient
the Society of Dongzu