贝里尔·弗莱彻女性主义三部曲的叙事特征

The Narrative Features of Beryl Fletcher's Feminist Trilogy

贝里尔·弗莱彻的女性主义三部曲注重探索小说叙事的新形式。首先,弗莱彻的插章具有强烈的自我意识,不同于菲尔丁和艾略特的评论性插章以及海明威和斯坦贝克的故事性插章。其次,弗莱彻融入电影叙事,赋予叙述者话语权与视觉,实现了意识流叙事新的呈现形式。最后,她用多重叙事构筑了一个审美三角,使得叙述者在对话中走向权威。弗莱彻的叙事探索本质上是在现实主义传统中戏仿碎片化的现实,女性叙述者从无权最终走向自我赋权,从而建构了自己的权威。

Fletcher's feminist trilogy contributes to the fiction narrative innovation. First, different from Fielding and Eliot's commentary interchapters and Hemingway and Steinbeck's fictional ones, Fletcher's are strongly self-conscious. In addition, she incorporates film narratives into texts, endowing the narrator discursive rights and vision as well, which presents the stream of consciousness in a new way. Finally, she employs the multiple narrative and thus builds an aesthetic triangle, so authority is built up in dialogues. Such experiments are, in nature, a parody of the fragmented reality in tune with a realistic convention, in which female narrators rise from scratch to self-authorization.