摘要
在全球化的大背景下,民族传统文化的重构是必然的。中越边境金龙镇布傣族群的天琴,从一种民间法器演变为民间乐器,最终走向国际舞台,证明布傣族群天琴文化的重构是成功的。反思其整个重构过程,由外源及内发,内外合力促重构是一重要的模式或规律。
The reconstruction of traditional culture is inevitable in the context of globalization.Tianqin,a special instrument used by Budai people living in China-Vietnam boarder area,changed from folk ritual implement to folk musical instrument and eventually went onto world stage,which proved the way of Budai people's culture reconstruction is very successful.When reflecting the whole process,we think the mode of"from exogenous to endogenous development"is the successful way to reconstruct Tianqin culture.
出处
《吉首大学学报(社会科学版)》
北大核心
2012年第1期19-23,共5页
Journal of Jishou University(Social Sciences)
基金
广西研究生教育创新计划资助项目(2011106080817M375)
关键词
民族传统文化
重构
天琴文化
traditional culture
reconstruction
Tianqin culture