摘要
私营电影业在新中国诞生初期的延续性存在,以及不久后就被主流电影生产机构所收编的史实,进一步印证了电影生产权力主体转换的规律。这已然不是用简单的生产经营和艺术置换来加以解决的,而是一个权力主体的政治改写问题。
The fact that private film industry existed for a while after the founding of PRC,and then taken in by the mainstream film production institutions proves the law of the film productive power’s switch.This is a political rewriting issue of the authoritative subject.The paper sorts out the ups and downs of private film industry in early stage of PRC and interprets forming of Chinese mainstream film production power.
出处
《天水师范学院学报》
2012年第3期92-94,0-1,共3页
Journal of Tianshui Normal University
基金
天水师范学院青年科研项目"十七年主流电影价值观念形成与影响研究"阶段性成果
关键词
私营影业
工农兵电影
权力主体
private film industry
films for workers
farmers and soldiers
authoritative subject