摘要
在新版《费加罗的婚姻》演出中,澳大利亚歌剧院向观众展示了如何将一部经典作品移到当今的摩登社会,却不违背原作精神。与此形成对比的是,同样系出澳大利亚歌剧院的另一部新版歌剧——普契尼的《图兰朵》却代表着经典传统的辉煌胜利,这个发生在古代中国宫廷里的故事,
In its new production of Mozart's The Marriage of Figaro,Opera Australia shows how a classic can be reset in the modern world without violating the spirit of the original.By way of contrast,the company's revival of Puccini's Turandot represents a triumph of the traditional, taking a fairy tale of ancient China on its own terms and bringing it to lite through dazzling stagecraft.
出处
《歌剧》
2012年第6期16-17,共2页
Opera