摘要
二十年前从江西农村"北漂"到北京求学,曹甦没有工作单位、也不是美协会员。他觉得,画家的画就是身份证,把自己手下的活干漂亮了比什么都强。
Without job unit,also being not a member of the painters' association,Cao Su regarded the painter's painting as an id card,and believed the important thing is doing the work well.
出处
《中关村》
2012年第6期116-119,共4页
