摘要
中国古代历史编撰过程中形成的"春秋笔法"、"微言大义"与西方接受美学的本文空白理论存在着不少相通之处,它们共同张扬一种空白美学与含蓄美学,同样重视本文潜在的意义空间与读者能动作用的发挥,在内在的功能结构上也存在很大的相似性。但是它们在文化与思想背景、理论的指涉范围及影响等方面又是异质性的存在。
There are many Similarities between the Chunqiu Expression Style,Sublime Words with Profound Meanings which created in ancient history Compilation and the Blank Theory of the western reception theory.They both consider the Blank Aesthetics and Implicit Aesthetics.They all attach importance to the potential meanings of the text and the active role of the reader.There are some Similarities in the Inherent functioning structure,too.On the other hand,Chinese and Western Blank Aesthetics are heterogeneous in the ideological cultural background,theoretical range and the influence,etc.
出处
《宜春学院学报》
2012年第3期86-89,93,共5页
Journal of Yichun University
关键词
空白美学
春秋笔法
微言大义
本文空白理论
Blank Aesthetics
the Chunqiu Expression Style
Sublime Words with Profound Meanings
the Blank Theory