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《十日谈》中的商人世界

On the Businessman's World of the Decameron
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摘要 《十日谈》是意大利文艺复兴时期文化巨人卜伽丘的辉煌巨著,它标举人文主义大旗,颠覆中世纪的神本思想,反对腐朽的教会制度和禁欲主义,力推人性的解放和启蒙,倡导新兴资产阶级的世俗生活。其中最为人称道的是对商人和商业题材的钩沉描摹,本文通过文本细读来探讨《十日谈》对商人世界的展现情况,并对书中重视商人商业的描写进行相关的社会历史背景概述和美学分析。 The Decameron is the Italian Renaissance culture of the high places by giant brilliant book. It lifts the great banner of humanism and overthrow in the middle ages of god. It againsts the corrupt church system and asceticism and thrusts the liberation of human nature and the enlightenment. It advocates the new bourgeoisie secular life. One of the most recognized to businessmen and commercial subject was depicted and involved. This article from the dimension of the text to explore the The Decameron on the world really show businessman, and tried to book value businessman to make a description of the commercial social and historical overview and aesthetic analysis.
作者 管新福
机构地区 贵州师范大学
出处 《兴义民族师范学院学报》 2012年第1期78-82,共5页 Journal of Minzu Normal University of Xingyi
关键词 卜伽丘 《十日谈》 商人世界 Boccaccio The Decameron Businessman's world
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  • 1"Father of English poetry"翻译成"英语诗歌之父",似乎比"英国诗歌之父"更为准确.
  • 2其中HubertM.Cummings,TheIndebtedness of Chaucer's Works to the Italian Works of Boccaccio(New York:Phaeton Press,1916)是这方面的代表性著作.
  • 3"9:6"指第九天的第六个故事,下面以此类推.
  • 4《学士的引子》说此故事来自彼特拉克,见杰弗里·乔叟:《坎特伯雷故事》,黄杲忻译,译林出版社1998年版,576-577页.实际上彼特拉克只是把薄迦丘的这个故事从意大利文译成拉丁文.除这5个故事外,《骑士的故事》是根据薄迦丘的另一部著作《苔塞伊达》改写而成.
  • 5薄迦丘:《十日谈》,钱鸿嘉等译,译林出版社1994年版,13页.本文下面对该书的引用均出此版本,页码随文注出,不再加注.
  • 6[9]C.F.E. Spurgeon, ed., Five Hundred Years of Chaucer Criticism and Allusion, 1357 - 1990, Ⅱ (New York: Russell, 1960),p.43,p.278.
  • 7Donald R. Howard, Chaucer, His Life, His Works,His World(New York: E. P. Dutton, 1987), p.412.
  • 8Michel Foucault, The History of Sexuality (New York:Pantheon,1978) ,pp.58 - 60.
  • 9Joseph Bedier,Les Fabliaux,6thed.(Paris:Champion,1964).
  • 10参见H.A. Kelly,"The Non-Tragedy of Arthur,"in Gregory Kratzmann and James Simpson, eds. Medieval English Religious and Ethical Literature(Cambridge:D.S.Brewer,1968).就连但丁也在De vulgari eloqueatia中把悲剧看作是关于高雅主题的高雅诗体,因此他把自己的抒情诗也算在其中.

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