摘要
The world of Ingmar Bergman is notoriously dark. He exposes us repeatedly to the isolation of human subjectivity and to our desperate attempts to break free of it. To be human for Bergman is to be imperiled, to move in an atmosphere of relentless anxiety, and to be driven by passions whose source and power we can neither master nor understand. Is there a period of innocence, a time before we are caught in the coils of the human condition？ The author will argue that Bergman＇s treatment of children demonstrates that in his world birth is the fall from grace.
