朱元璋后期诗作对明朝诗坛的影响

The Influence of Zhu Yuanzhang’s Later Poetry on the Poetic Circles in Ming Dynasty of China

朱元璋的诗歌创作可以登基为界,分为前期和后期两个阶段。前期诗作,粗豪霸气,威风凛凛,直有干云之势;后期诗作,雍容雅致,功利实用,几无风格可言。在朱元璋看来,大明诗歌应该成为与大明开国气象相契合的粉饰太平的工具。为达到这一目的,朱元璋身体力行、垂范作则,大量雍雅、实用之作在朱元璋的后期诗作中接踵涌现。这些诗作,不仅直接左右和控制了明初及明朝前期诗坛,也影响乃至笼罩了整个明朝诗坛。

Generally speaking,bounded by ascending the throne,Zhu Yuanzhang’s Poetry Creation can be divided into two periods,that is,the earlier period and the later period. The poetry of the earlier period is straightforward,power and prestige,just like the potential of stem cloud; however,the poetry of the later period is practical,graceful and poised,and whose styles are out of the question. From Zhu’s point of view,Ming the Great’s poetry should be a tool presenting an appearance of peace and prosperity,and corresponding to the atmosphere of Ming’s earlier period. To reach this goal,Zhu carries out by actual efforts; therefore,lots of graceful and poised poetry springs up at the later period of Zhu’s poetry creation. This kind of poetry not only dominates poetic circles at the beginning and earlier period of Ming Dynasty,but also affects and even covers the whole poetic circles.