新诗大众化、民族化与社会政治学模式(上)

Popularization and Nationalization of Modern Verses and Their Sociopolitical Model

本文提出了一个新的文艺学概念 :社会政治学模式 ,用以概括本世纪从二十年代初到七十年代末这一历史时期中国文艺的主要走向及其占主导地位的形态。作者以新诗大众化、民族化的具体历程对社会政治学模式自兴起、发展到占统治地位以至衰亡的全过程作了勾画 ;并以上述历史过程为背景 ,对郭沫若、艾青、田间、七月诗派、九叶诗派等代表性诗人及诗派各自的命运 ,从个体与社会互动的角度 ,作出了更为深入的分析。

The paper presents a new concept of literature and art,sociopolitical model,to summarize the main trend of China's literature and art and its dominant form of the historical period from the early 1920s to the late 1970s.The writer,upon the study of the specific course of the modern verses,depicts the whole process of the sociopolitical model from its rise,development and domination up to its decline.Against this background,the writer also gives a more profound analysis,from the angle of the mutual action between individuals and the society,of the respective fates of such representative poets as Guo Mo-ruo,Ai Qing,Tian Jian,July Poetry School and Nine-Leaf Poetry school.