梁启超《书法指导》中的美学观阐释

Statement of Aesthetic Idea in Liang Qichao’s Calligraphy Guide

梁启超的《书法指导》被视为现代书学研究的开山之作,他从西方美术的视角重新审视中国书法,试图寻找出西画和书法之间的某种共通性。本文对梁启超《书法指导》中所论书法之线的美、光的美、力的美、个性的表现等四个方面进行了剖析,探讨其学术价值和理论意义,藉此阐明在中、西文化背景差异之下观照书法往往会存在认识上的差异。

Liang Qichao’s Calligraphy Guide was the starting point of modern calligraphy study.He re-viewed Chinese calligraphy with a western art viewpoint,and tried to find certain commonality between western painting and Chinese calligraphy.This thesis makes analysis on the four aspects of calligraphy in this book,beauty of line,of light,of strength and expression of one’s personality,discusses its academic value and theoretical meaning,and demonstrates that there are often acknowledge differences to look at calligraphy with the different Chinese and western cultural background.