摘要
以山东佛教造像题记为切入点,结合出土造像的形象特征,并参照周边地区乃至中国北方佛教造像题材的发展演变情况,对北魏时期山东佛教造像题材进行了探索.用类型学的方法,研究山东地区北魏佛教造像变化的轨迹,讨论其造型风格来源、流变,结合当时当地佛教传播、社会背景和地域文化特点,寻找造像背后的诸多信息.
In this paper the bodhisattva statues, signature as the breakthrough point, taking unearthed the image of the sculpture features, and the surrounding areas, even China northern buddhist statuary the evolution and development of subject matter, the subject of hodhisattva statues exploration. Full text aims to use the method of typology, study the Northern Wei Dynasty in shandong province buddhist images the trajectory of change, and discuss its modelling style source, rheological, combined with local Buddhism spread at that time, the social background and regional cultural characteristics, the statue of the many information for behind.
出处
《广西民族大学学报(自然科学版)》
CAS
2012年第2期16-20,26,共6页
Journal of Guangxi Minzu University :Natural Science Edition
基金
中央高校基本科研业务费专项资金资助项目(人文社科类)(11LZUJBWZY070)
关键词
北魏
山东
佛教造像
艺术
Northern Wei Dynasty
Shandong Region
Buddhism statues
Art