摘要
《金陵十三钗》将"妓女出列"这则历史本相,升格为一种崇高想像。电影不仅强化了"妓女救世"的国族寓言,而且将士兵、学生等其他角色征用至其麾下,软弱和苟且被压缩至最低限度。尽管这样迎合了大众口味,然而问题在于,英勇雪耻的情结压倒了身罹灾祸的残酷,战争受害者形象受到损害。
The Flowers of War has upgraded the historic fact of ＂prostitutes stood out＂ to a noble imagina- tion. The movie not only enhances the national fable of ＂prostitute salvation＂, but also has recruited the soldiers, students and other roles under its disposal. Weakness and surrendering has been compressed to the minimal level. Although this has flattered the popular taste, the problem is, the complex of heroic avenge has shielded the cruelness of really being in calamity, and the image of war victims has been jeopardized.
出处
《南京师范大学文学院学报》
CSSCI
2012年第2期144-147,共4页
Journal of School of Chinese Language and Culture Nanjing Normal University
