摘要
在中国美学史的研究中,朱志荣认为应当重视审美意识史的研究。在研究时,他尊古而不泥古,具有当代视野。在学科形态上,他主张以西方美学为参照,援西而不囿于西,强调中国美学与世界美学的可融合性和互补性。在研究具体器物和文字等方面的审美意识时,朱志荣借鉴和继承了王国维的二重证据法,有力地推进了审美意识史的研究。
When the researcher studies the history of Chinese aesthetics, Mr. Zhu has such a viewpoint as that the re- searcher must pay attention to the history of the ideology of aesthetics. We can find the ideology of aesthetics in the his- torical creation and the work of historical art. The ideulogy of aesthetics is the base of the history of Chinese aesthetics, and the source of the Chinese traditional aesthetics idea. Mr. Zhu respects the ancientness but does not adulate the an- cientness ; he respects the Occident but never blindly. Mr. Zhu boosts the research of the ideology of aesthetics with the help of inheriting the way of Wang Guowei, which helps greatly to promote the research on the ideology of aesthetics.
出处
《贵阳学院学报(社会科学版)》
2012年第3期42-44,共3页
Journal of Guiyang University:Social Sciences
关键词
审美意识
当代性
民族性
科学性
the ideology of aesthetics
contemporary
nationality
scientificity