摘要
从历史的和信息论的角度看,数字艺术的技术偏好倾向在一定时期是合理而且必然的。虽然技术偏好现象阶段性地挤压了艺术审美的空间,但从稍长一点的时间跨度来看,一俟数字技术成熟,其终将被纳入创作和欣赏的体系之中,在艺术系统内部获得新的自洽。在这样的过程中美学观念亦发生深刻的转变,尤其是影像与现实关系的变化。
From a historical point of view and based on the information theory, it is proved that the technology preference in digital art is reasonable and inevitable in certain period. Although the zeal in techniques may hinder the aesthetic pursuit impermanently, it will be included in the system of crea tion and appreciation and reach a new internal harmony in a longer time with the growth of digital technology. In the meantime, the aesthetic concepts have been deeply transformed, especially some changes in the relationship between the image and the reality have been taking place.
出处
《合肥工业大学学报(社会科学版)》
2012年第3期92-95,共4页
Journal of Hefei University of Technology(Social Sciences)
基金
福建省教育厅社会科学研究A类项目(JA11059S)
关键词
数字艺术
技术偏好
美学观念
转变
digital art
technology preference
aesthetic concept
transformation