摘要
在德勒兹的《运动——影像》一书中,他认为在电影中无时无刻都存在着由整体集合、镜头和全体时延所构成的三道流束,三者相互区隔,又彼此包围。那么,这三道流束在影片中具体是如何实现,又是怎样相互协调发展的?针对这个问题,采用理论分析和例证说明的方法进行研究,具体分析德勒兹眼中的三道流束。
In the book The Movement-Image, the author Gilles Deleuze demonstrates that films consist of three flow elements: the whole, shots, and duration. They differ from each other, yet interact with one another. The study was conducted on how these three elements take effect in films and how they develop harmoniously based on theoretical analysis and examples.
出处
《辽宁工程技术大学学报(社会科学版)》
2012年第2期177-179,共3页
Journal of Liaoning Technical University(Social Science Edition)
关键词
流束
镜头
整体集合
全体时延
关系线
flow element
shot
the whole
duration
relationship line