莎士比亚喜剧中女性主体意识与男权解构

Female ontological consciousness and deconstruction of male hegemony in Shakespeare's comedies

针对男性霸权压迫下女性沦为边缘地位的"他者"现状,采用女性主义文学批评的研究方法,分析了莎士比亚喜剧对女性群体的人文主义关照。研究发现:莎士比亚喜剧对女性群体的重新诠释突破了父权话语机制下对女性的传统定义和歧视。其书写的女性跃于文本中心主体位置,她们独立自主,质疑并挑战男权,彰显了鲜明的女性自我主体意识和对平等的两性关系的追求。同时,强大的男性霸权又牢牢桎梏着女性的思想和行为,使女性难以真正走出父权的阴影,体现出莎翁对女性恶劣的生存困境的担忧。

In view of women＇s fringe status of ＂the other＂ under male hegemony, feminist literary criti- cism was adopted to analyze the humanistic care of Shakespeare＇s comedies for women. Findings show that Shakespeare＇s new interpretations on women have broken through the traditional definitions of wom- en and sex discrimination against them in a patriarchal discourse mechanism. In his comedies, women occupy dominant positions, independent and autonomous, questioning and challenging male hegemonies, which highlights the distinctive female consciousness and their pursuit of gender equality. At the same time, female ideology and behaviors firmly fettered by powerful male hegemony makes it difficult for women to completely shake off patriarchal yoke, which shows Shakespeare＇s deep concern about women＇ s living predicament.