摘要
与以往的文学艺术虚构观不同,海德格尔否定从人的主体性出发的幻想和虚构;他所说的文学艺术与现实世界相区分的"另一个天地",则是主体消解、物我相融的世界。正是这样一个世界,才为人在科技霸权肆虐的现代提供了另一种生存方式。这一文学艺术虚构观既包含着深刻的洞见,也显示出他的思想局限。
Heidegger denies the fantasy and fiction that come from the Subjectivity of Human Being, which is different form the previous concept. He holds it is "another world", where the subject is deconstmcting and harmonious with the object. This world provides another living style for human being in the modem time with the scientific and technological hegemony raging. Heidegger theory of Artistic Fiction not only contains his profound insight, but also shows the limitation of his thought.
出处
《贵州师范大学学报(社会科学版)》
2012年第3期34-38,共5页
Journal of Guizhou Normal University(Social Sciences)
基金
国家社科基金项目"现代
后现代视域中的文学虚构问题研究"(10BZW003)的阶段成果
关键词
海德格尔
文学艺术虚构
科学技术
人的存在
Heidegger
Artistic Fiction
science and technology
human existence