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伦勃朗艺术中的东方元素 被引量:4

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摘要 伦勃朗·凡·莱茵[RembrandtvanRijn,1606-1669]所处的时代,既是西方绘画从文艺复兴[Renaissance]向巴洛克[Baroque]风格转换并达到巅峰的时期,又是一个由于荷兰东印度公司[theDutchEastIndiaCompany,1602-1798]的商贸活动而开始规模化向东方输出西方艺术、同时又向西方引进东方艺术的时代。正是由于这么一个背景,他的艺术实验便不可违拗地会借用来自东方的艺术元素。尽管伦勃朗声称,
作者 邵宏
出处 《新美术》 北大核心 2012年第3期19-25,共7页 Journal of the China Academy of Art
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  • 1Gary Schwartz, The Rembrandt Book, New York : Abrams, 2008, pp. 24-39.
  • 2Jakob Rosenberg,Rembrandt:Lifeand Work, Oxford :Phaidon Press Ltd., 1968.
  • 3Annemarle Schimmel, The Empire of the Great Mughals: History, Art and Culture, trans. Corinne Attwood, edit. Burzlne K, Waghmar, with a Foreword by Francis Robinson, London: Reaktion Books, 2004, p.43.
  • 4[日]关卫著,熊得山译.《西方美术东渐史》,上海书店出版社,2002,第292页.
  • 5Paul Crenshaw, Rembrandt's Bankruptcy: The Artist, His Patrons, and the Art Market in Seventeenth-Century Netherlands, New York: Cambridge University Press, 2006.
  • 6James Snyder, Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575, revised by Larry Silver and Henry Luttikhuizen, 2nd ed. New Jersey: Prentice Hall Inc., 2005, pp. 13- 15.
  • 7Thomas E. Rassieur, " Looking over Rembrandt's Shoulder: The Printmaker at Work" , in Clifford S. Ackley, Rembrandt's Journey: Painter. Draftsman. Etcher, in collaboration with Ronni Baer, Thomas E. Rassieur, and William W. Robinson, Boston MFA Publications, 2003, pp.45-60.
  • 8Gary Schwartz, The Rembrandt Book, New York: Abrams, 2008, pp.255-256.
  • 9James Ayres, The Artist's Craft: A History of Tools, Techniques and Materials, Oxford: Phaldon Press Ltd., 1985, pp.54-63.
  • 10ShlrleyGanse, ChlneseExportPoroetaln: East to West, San Francisco: Long River Press, 2008, pp,43-58.

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