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从二元对立到第三空间杂糅——奥立维亚的双重文化身份认定之路 被引量:4

From Binary to Third Space's Hibridity——Olivia's Cultural Identity Pursuit
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摘要 美国当代著名的华裔女作家谭恩美的第三部长篇小说《百种神秘感官》具有浓厚的后殖民主义特色,尤其是东方主义的神秘色彩。其女主人公奥立维亚是中美混血的"香蕉人",为了全力美国化,她否认自己的华人文化身份,但是美国主流社会却将她视为"他者",二元文化冲突使她陷入文化身份危机。困境中的奥立维亚放弃了对立的二元文化,接受自己的华人文化身份,用双重文化重塑自我,走出文化身份危机,进入了文化身份的第三空间杂糅,获得新生。奥立维亚的文化身份寻求之路经历了从东方主义的二元对立到第三空间的杂糅,是"他者"的典型身份寻求之路,这个文学人物的心路历程,对越来越多的流散族裔的寻根现象和文化认同经历具有案例价值,为民族文化交流和融合研究提供借鉴。 The Hundred Secret Senses is the famous contemporary Chinese American writer Amy Tan's third novel, which is with strong postcolonialism characteristics, especially Orientalism. The protagonist Olivia is an ABC (American Born Chinese). In order to assimilate completely, she rejects her Chinese cultural heritage and consequently loses her identity and meets with life crisis. After failing in her whole-hearted assimilation, pragmatic Olivia rebuilds up her integration by abandoning the conflicting binary and accepting her Chineseness, therefore breaks away from life crisis and enters into the third spaee's hibridity, regaining her lost identity. Olivia's identity pursuit experience from Orientalism binary to third space's hibridity, which is typical of the oth- ers, enlightens the diasporas'identity pursuit and cultural communication in today's global context.
作者 张春梅
出处 《集美大学学报(哲学社会科学版)》 2012年第3期73-78,113,共7页 Journal of Jimei University:Philosophy and Social Sciences
基金 外研社外语教学科研项目(S511209AB)
关键词 《百种神秘感官》 文化身份 东方主义 二元对立 第三空间 The Hundred Secret Senses identity pursuit Orientalism binary Third Space
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参考文献11

  • 1AMY TAN. The Opposite of Fate [ M ]. New York: G. P. Putnam's sons, 2003.
  • 2HUNTLEY E D. AMY TAN. A Critical Companion [ M]. Westport: Greenwood Publishing Group, 1998: 2.
  • 3XIAO- HUANG YIN. Chinese American Literature Since the 1850s [M]. Charlotte: Baker & Taylor Books, 2006 : 249.
  • 4WALDER, DENNIS; Literature in the Modem World [M]. Oxford: Oxford University Press, 1990: 236.
  • 5SAID, EDWARD. Culture and Imperialism [ M]. Lon- don: Roufledge & Kegan Paul Led. , 1993.
  • 6SAID, EDWARD. Orientalism [ M ]. London: Rout- ledge & Kegan Paul Led. , 1978.
  • 7张春梅.《百种神秘感官》中的他者[J].集美大学学报(哲学社会科学版),2009,12(4):74-78. 被引量:3
  • 8BHABHA, HOMI. The Location of Culture [M]. Lon- don and New York: Roufledge, 1994.
  • 9TAN AMY. The Hundred Secret Senses [ M ]. New York: The Random House Publishing Group, 1995.
  • 10FANON, FRANTZ. The Wretched of the Earth [ M ]. New York: Grove Press, 1968: 218.

二级参考文献10

  • 1HUNTLEY, E D. AMY TAN: A Critical Companion [M]. Westport: Greenwood Publishing Group, 1998: 2.
  • 2WALDER, DENNIS. Literature in the Modem World [M]. Oxford: Oxford University Press, 1990: 236.
  • 3SAID, EDWARD. Orientalism [ M ]. London: Routledge & Kegan Paul Led, 1978: 5.
  • 4BHABHA, HOMI. The Location of Culture [ M ]. London and New York: Routledge, 1994.
  • 5JANMOHAMED, ABDUL R, LLOYD DAVID. The Nature and Context of Minority Discourse [ M ]. Oxford : Oxford University Press, 1990 : 2.
  • 6LOIS, TYSON. Critical Theory Today: A User- Friendly Guide [ M ]. New York: Garland Publishing Inc. , 1999: 366.
  • 7TAN, AMY. The Hundred Secret Senses [ M ]. New York: The Random House Publishing Group, 1995.
  • 8GUAN, HEFENG. Seeking Identity Between Worlds: A Study of Chinese Women's Literature [ M ]. Kaifeng: Henan University Press, 2007: 132.
  • 9FANON, FRANTZ. The Wretched of the Earth [M]. New York: Grove Press, 1968: 218.
  • 10XU JINGJING. Endless Song of Love: An Archetypal Interpretation of The Hundred Secret Senses [ M ]. Xi'an: Northwest University, 2007 : 14.

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