摘要
本文提出了一个广义的电影概念,即把电影定义为以镜头形式呈现、可以配有声音效果的双频活动影像,一种专门纪录或制作表面现象的异质综合性媒介。这一全新的电影观引发我们讨论电影、电视和计算机这三种"电影媒介的历史形态",促使我们探究蒙太奇、长镜头、意识流和合成镜头这四种"电影的本体",帮助我们理解"艺术化"、"语言化"和"全思化"这三种"电影文化的历史阶段"。在此基础上,本文从电影的信息纪录与传播功能、电影作为全新文字的属性、电影对未来教育的促发作用等三个方面入手,详细论证了电影对人类文明进程的革命性意义。
In this paper, we propose a film conception in a broad sense. Presented through lens and with sound effects, film is a double -band moving image and a comprehensive media specialized in recording or making surface phenomena. The whole new film conception leads us to discuss the historical form of the three film media film, TV, and Computer. It urges us to explore four film ontologies montage, long shots, stream of consciousness and synthetic lens. It helps us to understand three stages of film culture: of art, of language, and of integral thinking.
出处
《艺术百家》
CSSCI
北大核心
2012年第4期74-79,33,共7页
Hundred Schools In Arts
关键词
电影艺术
本体论
数字技术
电影教育
文明发展
革命性意义
Film Art
Ontology
Digital Technology
Film Education
The Development of Civilization
Revolutiona-ry Significance