摘要
中国戏曲音乐的现代发展过程中经历着由民间性向专业性的逐步转换,其中必须把握的核心问题便是民族性与现代性。从实践角度看,应该特别关注个性化追求、音乐功能的发挥、作曲技术的借鉴这三方面存在的问题。
In modern development of theatre music, it has been experiencing a gradual transformation from a folk phe- nomenon to a major. Therefore, we must understand the prob!em of nationality and modernity. From the perspective of practice, there are three issues to be paid attention to : individual pursue, music function, and learning of compos- ing techniques.
出处
《艺术百家》
CSSCI
北大核心
2012年第4期107-112,共6页
Hundred Schools In Arts
关键词
戏曲音乐
民族性
现代性
中西音乐文化交流
专业性与民间性
ationality
Modernity
Music Communication between China and Western Countries
Of Major and ofFolk